Plot: Young Antipho marries Phanium while his father Demipho is abroad. She is penniless with no dowry, which enrages Demipho on his return. Meanwhile Antipho’s cousin Phaedria has fallen in love with Pamphila, a slave girl about to be sold off, but he has no money to rescue and marry her. His father, Chremes (Demipho’s brother) is also abroad on one of his frequent visits to his secret second wife and his daughter but they have disappeared. Phormio , a clever rascal and friend to Antipho and Phaedria, promises to help them both.
My thoughts: More enjoyable than the earlier plays, especially as there was no overt violence to women, but it didn’t quite have the sparkle of The Eunuch. The plot is twisty but doesn’t lose the audience (that is, me).
I mentioned in the last post that the stage setup remains quite basic and consistent, with just the two neighbouring houses. I should also mention that, while the courtesans and older women (wives, slaves and nurses) appear on stage, the beautiful young women (in this case, Phanium and Pamphila) never appear but are spoken to as if they are in the houses. I presume that if only male actors were allowed to perform on stage, they could not provide a sufficient illusion of feminine beauty necessary to make the desperation of the male characters believable and lift the comedy above farce.
As mentioned in earlier posts, Terence borrowed content from Greek plays, which was almost standard practice for Latin playwrights at this time, and subsequently both this play and Terence’s next (The Brothers) were used by Moliere as the basis of two of his plays. As Terence said in his prologue to The Eunuch: “Nothing is ever said which has not been said before”
Personal rating: 6/10
Also about this time: Public libraries appear in Rome. Yay!
Next : The final play by Terence, Adelphoe (The Brothers)